Tales from the Dead of Night Read online

  ‘So we said goodnight.’

  ‘Is that all the story!’ said the third girl, striving to convey that even as it stood it was a good story.

  ‘That’s only the beginning,’ said Miss Eastwich. ‘Whenever I was alone with him he used to tell me the same thing over and over again, and at first when I began to notice things, I tried to think that it was his talk that had upset my nerves. The odd thing was that it wasn’t only at night – but in broad daylight – and particularly on the stairs and passages. On the staircase the feeling used to be so awful that I have had to bite my lips till they bled to keep myself from running upstairs at full speed. Only I knew if I did I should go mad at the top. There was always something behind me – exactly as he had said – something that one could just not see. And a sound that one could just not hear. There was a long corridor at the top of the house. I have sometimes almost seen something – you know how one sees things without looking – but if I turned round, it seemed as if the thing drooped and melted into my shadow. There was a little window at the end of the corridor.

  ‘Downstairs there was another corridor, something like it, with a cupboard at one end and the kitchen at the other. One night I went down into the kitchen to heat some milk for Mabel. The servants had gone to bed. As I stood by the fire, waiting for the milk to boil, I glanced through the open door and along the passage. I never could keep my eyes on what I was doing in that house. The cupboard door was partly open; they used to keep empty boxes and things in it. And, as I looked, I knew that now it was not going to be “almost” any more. Yet I said, “Mabel?” not because I thought it could be Mabel who was crouching down there, half in and half out of the cupboard. The thing was grey at first, and then it was black. And when I whispered, “Mabel”, it seemed to sink down till it lay like a pool of ink on the floor, and then its edges drew in, and it seemed to flow, like ink when you tilt up the paper you have spilt it on, and it flowed into the cupboard till it was all gathered into the shadow there. I saw it go quite plainly. The gas was full on in the kitchen. I screamed aloud, but even then, I’m thankful to say, I had enough sense to upset the boiling milk, so that when he came downstairs three steps at a time, I had the excuse for my scream of a scalded hand. The explanation satisfied Mabel, but next night he said, “Why didn’t you tell me? It was that cupboard. All the horror of the house comes out of that. Tell me – have you seen anything yet? Or is it only the nearly seeing and nearly hearing still?”

  ‘I said, “You must tell me first what you’ve seen.” He told me, and his eyes wandered, as he spoke, to the shadows by the curtains, and I turned up all three gas lights, and lit the candles on the mantelpiece. Then we looked at each other and said we were both mad, and thanked God that Mabel at least was sane. For what he had seen was what I had seen.

  ‘After that I hated to be alone with a shadow, because at any moment I might see something that would crouch, and sink, and lie like a black pool, and then slowly draw itself into the shadow that was nearest. Often that shadow was my own. The thing came first at night, but afterwards there was no hour safe from it. I saw it at dawn and at noon, in the dusk and in the firelight, and always it crouched and sank, and was a pool that flowed into some shadow and became part of it. And always I saw it with a straining of the eyes – a pricking and aching. It seemed as though I could only just see it, as if my sight, to see it, had to be strained to the uttermost. And still the sound was in the house – the sound that I could just not hear. At last, one morning early, I did hear it. It was close behind me, and it was only a sigh. It was worse than the thing that crept into the shadows.

  ‘I don’t know how I bore it. I couldn’t have borne it, if I hadn’t been so fond of them both. But I knew in my heart that, if he had no one to whom he could speak openly, he would go mad, or tell Mabel. His was not a very strong character; very sweet, and kind, and gentle, but not strong. He was always easily led. So I stayed on and bore up, and we were very cheerful, and made little jokes, and tried to be amusing when Mabel was with us. But when we were alone, we did not try to be amusing. And sometimes a day or two would go by without our seeing or hearing anything, and we should perhaps have fancied that we had fancied what we had seen and heard – only there was always the feeling of there being something about the house, that one could just not hear and not see. Sometimes we used to try not to talk about it, but generally we talked of nothing else at all. And the weeks went by, and Mabel’s baby was born. The nurse and the doctor said that both mother and child were doing well. He and I sat late in the dining room that night. We had neither of us seen or heard anything for three days; our anxiety about Mabel was lessened. We talked of the future – it seemed then so much brighter than the past. We arranged that, the moment she was fit to be moved, he should take her away to the sea, and I should superintend the moving of their furniture into the new house he had already chosen. He was gayer than I had seen him since his marriage – almost like his old self. When I said goodnight to him, he said a lot of things about my having been a comfort to them both. I hadn’t done anything much, of course, but still I am glad he said them.

  ‘Then I went upstairs, almost for the first time without that feeling of something following me. I listened at Mabel’s door. Everything was quiet. I went on towards my own room, and in an instant I felt that there was something behind me. I turned. It was crouching there; it sank, and the black fluidness of it seemed to be sucked under the door of Mabel’s room.

  ‘I went back. I opened the door a listening inch. All was still. And then I heard a sigh close behind me. I opened the door and went in. The nurse and the baby were asleep. Mabel was asleep too – she looked so pretty – like a tired child – the baby was cuddled up into one of her arms with its tiny head against her side. I prayed then that Mabel might never know the terrors that he and I had known. That those little ears might never hear any but pretty sounds, those clear eyes never see any but pretty sights. I did not dare to pray for a long time after that. Because my prayer was answered. She never saw, never heard anything more in this world. And now I could do nothing more for him or for her.

  ‘When they had put her in her coffin, I lighted wax candles round her, and laid the horrible white flowers that people will send near her, and then I saw he had followed me. I took his hand to lead him away.

  ‘At the door we both turned. It seemed to us that we heard a sigh. He would have sprung to her side in I don’t know what mad, glad hope. But at that instant we both saw it. Between us and the coffin, first grey, then black, it crouched an instant, then sank and liquefied – and was gathered together and drawn till it ran into the nearest shadow. And the nearest shadow was the shadow of Mabel’s coffin. I left the next day. His mother came. She had never liked me.’

  Miss Eastwich paused. I think she had quite forgotten us.

  ‘Didn’t you see him again?’ asked the youngest of us all.

  ‘Only once,’ Miss Eastwich answered, ‘and something black crouched then between him and me. But it was only his second wife, crying beside his coffin. It’s not a cheerful story, is it? And it doesn’t lead anywhere. I’ve never told anyone else. I think it was seeing his daughter that brought it all back.’

  She looked towards the dressing-room door.

  ‘Mabel’s baby?’

  ‘Yes – and exactly like Mabel, only with his eyes.’

  The youngest of all had Miss Eastwich’s hands and was petting them.

  Suddenly the woman wrenched her hands away and stood at her gaunt height, her hands clenched, eyes straining. She was looking at something that we could not see, and I know what the man in the Bible meant when he said, ‘The hair of my flesh stood up.’

  What she saw seemed not quite to reach the height of the dressing-room door handle. Her eyes followed it down, down – widening and widening. Mine followed them – all the nerves of them seemed strained to the uttermost – and I almost saw – or did I quite see? I can’t be certain. But we all heard the long-drawn, quivering
sigh. And to each of us it seemed to be breathed just behind us.

  It was I who caught up the candle – it dripped all over my trembling hand – and was dragged by Miss Eastwich to the girl who had fainted during the second extra. But it was the youngest of all whose lean arms were round the housekeeper when we turned away, and that have been round her many a time since, in the new home where she keeps house for the youngest of us.

  The doctor who came in the morning said that Mabel’s daughter had died of heart disease – which she had inherited from her mother. It was that that had made her faint during the second extra. But I have sometimes wondered whether she may not have inherited something from her father. I had never been able to forget the look on her dead face.

  W. F. HARVEY

  (1885–1937)

  Born into a wealthy Quaker family, William Fryer Harvey enjoyed an idyllic childhood on the edge of Ilkley Moor. After studying at Balliol College, Oxford, and taking a medical degree at Leeds University, he travelled around the world; on his return his first book of short stories, Midnight House, was published. At the outbreak of war he joined the Friends’ Ambulance Service and served in Ypres on the Western Front and then with the Royal Navy as a surgeon-lieutenant. He was awarded the Albert Medal for Lifesaving after an accident at Scapa Flow in which he amputated the arm of a stoker trapped below decks in the foundering ship. Smoke inhalation sustained during the rescue damaged his lungs permanently; his ghost stories, of which the most famous remains ‘The Beast with Five Fingers’, were written at a sanatorium in Switzerland where he lived for much of his later life. Suffering from homesickness, he returned to England in 1937, and died at Letchworth.

  THE CLOCK

  I LIKED YOUR DESCRIPTION of the people at the pension. I can just picture that rather sinister Miss Cornelius, with her toupee and clinking bangles. I don’t wonder you felt frightened that night when you found her sleepwalking in the corridor. But after all, why shouldn’t she sleepwalk? As to the movements of the furniture in the lounge on the Sunday, you are, I suppose, in an earthquake zone, though an earthquake seems too big an explanation for the ringing of that little handbell on the mantelpiece. It’s rather as if our parlourmaid – another new one! – were to call a stray elephant to account for the teapot we found broken yesterday. You have at least escaped the eternal problem of maids in Italy.

  Yes, my dear, I most certainly believe you. I have never had experiences quite like yours, but your mention of Miss Cornelius has reminded me of something rather similar that happened nearly twenty years ago, soon after I left school. I was staying with my aunt in Hampstead. You remember her, I expect; or, if not her, the poodle, Monsieur, that she used to make perform such pathetic tricks. There was another guest, whom I had never met before, a Mrs Caleb. She lived in Lewes and had been staying with my aunt for about a fortnight, recuperating after a series of domestic upheavals, which had culminated in her two servants leaving her at an hour’s notice, without any reason, according to Mrs Caleb; but I wondered. I had never seen the maids; I had seen Mrs Caleb and, frankly, I disliked her. She left the same sort of impression on me as I gather your Miss Cornelius leaves on you – something queer and secretive; underground, if you can use the expression, rather than underhand. And I could feel in my body that she did not like me.

  It was summer. Joan Denton – you remember her; her husband was killed in Gallipoli – had suggested that I should go down to spend the day with her. Her people had rented a little cottage some three miles out of Lewes. We arranged a day. It was gloriously fine for a wonder, and I had planned to leave that stuffy old Hampstead house before the old ladies were astir. But Mrs Caleb waylaid me in the hall, just as I was going out.

  ‘I wonder,’ she said, ‘I wonder if you could do me a small favour. If you do have any time to spare in Lewes – only if you do – would you be so kind as to call at my house? I left a little travelling clock there in the hurry of parting. If it’s not in the drawing room, it will be in my bedroom or in one of the maids’ bedrooms. I know I lent it to the cook, who was a poor riser, but I can’t remember if she returned it. Would it be too much to ask? The house has been locked up for twelve days, but everything is in order. I have the keys here; the large one is for the garden gate, the small one for the front door.’

  I could only accept, and she proceeded to tell me how I could find Ash Grove House.

  ‘You will feel quite like a burglar,’ she said. ‘But mind, it’s only if you have time to spare.’

  As a matter of fact I found myself glad of any excuse to kill time. Poor old Joan had been taken suddenly ill in the night – they feared appendicitis – and though her people were very kind and asked me to stay to lunch, I could see that I should only be in the way, and made Mrs Caleb’s commission an excuse for an early departure.

  I found Ash Grove without difficulty. It was a mediumsized red-brick house, standing by itself in a high-walled garden that bounded a narrow lane. A flagged path led from the gate to the front door, in front of which grew, not an ash, but a monkey puzzle, that must have made the rooms unnecessarily gloomy. The side door, as I expected, was locked. The dining room and drawing room lay on either side of the hall and, as the windows of both were shuttered, I left the hall door open, and in the dim light looked round hurriedly for the clock, which, from what Mrs Caleb had said, I hardly expected to find in either of the downstairs rooms. It was neither on table nor mantelpiece. The rest of the furniture was carefully covered over with white dustsheets. Then I went upstairs. But, before doing so, I closed the front door. I did in fact feel rather like a burglar, and I thought that if anyone did happen to see the front door open, I might have difficulty in explaining things. Happily the upstairs windows were not shuttered. I made a hurried search of the principal bedrooms. They had been left in apple-pie order; nothing was out of place; but there was no sign of Mrs Caleb’s clock. The impression that the house gave me – you know the sense of personality that a house conveys – was neither pleasing nor displeasing, but it was stuffy, stuffy from the absence of fresh air, with an additional stuffiness added that seemed to come out from the hangings and quilts and antimacassars. The corridor, on to which the bedrooms I had examined opened, communicated with a smaller wing, an older part of the house, I imagined, which contained a box room and the maids’ sleeping quarters. The last door that I unlocked – (I should say that the doors of all the rooms were locked, and relocked by me after I had glanced inside them) – contained the object of my search. Mrs Caleb’s travelling clock was on the mantelpiece, ticking away merrily.

  That was how I thought of it at first. And then for the first time I realised that there was something wrong. The clock had no business to be ticking. The house had been shut up for twelve days. No one had come in to air it or to light fires. I remembered how Mrs Caleb had told my aunt that if she left the keys with a neighbour, she was never sure who might get hold of them. And yet the clock was going. I wondered if some vibration had set the mechanism in motion, and pulled out my watch to see the time. It was five minutes to one. The clock on the mantelpiece said four minutes to the hour. Then, without quite knowing why, I shut the door on to the landing, locked myself in, and again looked round the room. Nothing was out of place. The only thing that might have called for remark was that there appeared to be a slight indentation on the pillow and the bed; but the mattress was a feather mattress, and you know how difficult it is to make them perfectly smooth. You won’t need to be told that I gave a hurried glance under the bed – do you remember your supposed burglar in Number Six at St Ursula’s? – and then, and much more reluctantly, opened the doors of two horribly capacious cupboards, both happily empty, except for a framed text with its face to the wall. By this time I really was frightened. The clock went ticking on. I had a horrible feeling that an alarm might go off at any moment, and the thought of being in that empty house was almost too much for me. However, I made an attempt to pull myself together. It might after all be a fourteen-day clock. If
it were, then it would be almost run down. I could roughly find out how long the clock had been going by winding it up. I hesitated to put the matter to the test; but the uncertainty was too much for me. I took it out of its case and began to wind. I had scarcely turned the winding screw twice when it stopped. The clock clearly was not running down; the hands had been set in motion probably only an hour or two before. I felt cold and faint and, going to the window, threw up the sash, letting in the sweet, live air of the garden. I knew now that the house was queer, horribly queer. Could someone be living in the house? Was someone else in the house now? I thought that I had been in all the rooms, but had I? I had only just opened the bathroom door, and I had certainly not opened any cupboards, except those in the room in which I was. Then, as I stood by the open window, wondering what I should do next and feeling that I just couldn’t go down that corridor into the darkened hall to fumble at the latch of the front door with I don’t know what behind me, I heard a noise. It was very faint at first, and seemed to be coming from the stairs. It was a curious noise – not the noise of anyone climbing up the stairs, but – you will laugh if this letter reaches you by a morning post – of something hopping up the stairs, like a very big bird would hop. I heard it on the landing; it stopped. Then there was a curious scratching noise against one of the bedroom doors, the sort of noise you can make with the nail of your little finger scratching polished wood. Whatever it was was coming slowly down the corridor, scratching at the doors as it went. I could stand it no longer. Nightmare pictures of locked doors opening filled my brain. I took up the clock, wrapped it in my mackintosh, and dropped it out of the window on to a flowerbed. Then I managed to crawl out of the window and, getting a grip of the sill, ‘successfully negotiated’, as the journalists would say, ‘a twelve-foot drop’. So much for our much abused gym at St Ursula’s. Picking up the mackintosh, I ran round to the front door and locked it. Then I felt I could breathe, but not until I was on the far side of the gate in the garden wall did I feel safe.